Phillip Jones Griffith – His work and life

Legendary anti-war photographer and author of Viet Nam Inc, Philip Jones Griffiths, gives the interview of a lifetime only 48 hours before he died in at his home in London on March 19, 2008. With a voice impassioned by courage and enriched by his legacy of love for people and for taking real pictures of real people, Philip imparts his final words of wisdom on the subject of photography and life.

Rare interviews with iconic photographers and people who knew and loved Phillip Jones Griffith bring the most eloquent and clear headed anti-war photographer back to life. This film is an homage to being real in a time when documentary photography has (arguably) fallen off the pedestal.

Phillip Jones Griffith 18/2/1936 – 19/3/2008

Check out his book Viet Nam Inc

Best Flash for the the Fujifilm X20 ( and probably X100s, too)

Well, there are a few whispers going round about the Fuji X100s and the Fuji X20 ability to trigger external flashes.

Some have found out that you can leash the new $230 EF-X20 Flash to a standard canon (or third party) cable and get full TTL and Manual control for the EF-X20.

Sunpack RD 2000

Sunpack RD 2000

Others, realized that the cheaper and older EF-20 ($99) is actually also a Sunpak RD2000, which might save you a few dollars (around $30). But you prbbly won’t get manual control – TTL only – plus in camera flash compensation controls – (not tested by me).

Well, and if you are indeed considering the EF-X20 and already have a Nikon Speedlight, I’m here to say you can save yourself $230 and just use what you’ve got. The X20 can trigger a Nikon Sb-900 via a Nikon SC-28 for example. Only in Manual mode though, but that should not be too big an issue .-) And you’ve got all the flash power you’ll ever need for a handheld off camera flash.

The Fuji X20 + SC-28 + SB-900 = working combo

The Fuji X20 + SC-28 + SB-900 = working combo

Wim Wenders on Photography

Wim Wenders, German film maker and photographer in his own right, talks about digital photography, the transience of the moment and the tendency of today’s photographers to “not be there” with there minds when they press the shutter.

And in this little series “An afternoon with Wim Wenders” he shares with a young student about film-making, and his own journey and philosophy.

An afternoon with Wim Wenders – Part 1

An afternoon with Wim Wenders – Part 2

An afternoon with Wim Wenders – Part 3

Fuji X20 – a Photographers Review (updated)

The new Fujifilm X100s and X20 have started to ship, and I received a X20 late March.

For all my professional work I’ve been shooting full frame Nikon DSRLs and so using a small point-and-shoot/viewfinder type camera is quite a change.

Why the X20?

I have been looking for a small camera that I can just pop into my pocket and carry around every day, when I don’t want to lug a big heavy DSLR and lenses. I’ve had my eyes on the X10 for a while and of course the X100, as well as Sony’s NEX series, especially since these have so much larger sensors. But then I felt the X100 might be a little limiting with a fixed prime, and at the same time the NEX or XE-1 meant you’d be buying into a system -including lenses and speedlights, and before you know it, I’d be carrying as much gear around as before, just in a smaller bag.

For me, to pick the X20 was to pick the best compromise, a great design, zoom lens for just a bit more flexibility, but with the small sensor, tiny viewfinder etc. I knew this would be quite different. Perhaps even challenging. Well, here’s to new challenges!

Fuji X20 at ISO 400, 22.8mm, f2.8, 1/25th, JPG out of camera, set to B&W mode

What trumps has Fuji dealt us with the X20? – Fuji X20, JPG straight out of camera, B&W setting, ISO 400, 22.8mm, f2.8, 1/25th

Fuji X20, IS0400, 15.4mm, f2.5, 1/25th, JPG straight out of camera, b&w setting

New Camera you say? It looks like my old Leica. Fuji X20, IS0 400, 15.4mm, f2.5, 1/25th, JPG straight out of camera, b&w setting

Fuji X20 JPG straight out of camera, b&w setting, ISO 400, 7.1mm, f2.0, 1/55th

The X20, a winning hand of cards? – Fuji X20, JPG straight out of camera, B&W setting, ISO 400, 7.1mm, f2.0, 1/55th

Fuji X20 So Far

I’ve basically just used the X20 camera for a couple of days now. Mainly indoor stuff, but also a bit of outdoors. Let’s address a few questions:

Q) How fast or slow is the Autofocus? A) I find the X20 AF really responsive, yes its slower than a DSRL, its also slower than the unbelievable NEX speed, but it’s not really slowing me down. It works well, both at ISO 100 in daylight, as well a in ISO 4000 in near darkness. No problems.

Q) How quiet really is the Shutter? A) The X20 shutter is THE QUIETEST thing I’ve ever hardly heard. It is unbelievable. If you switch of the silly artificial shutter sounds, the shutter is almost inaudible. It’s amazing. In quiet mode, a whisper would sound like a scream in comparison. It is super quiet! I’d called it silent.

Q) what’s the Depth of Field like? A) Well, as with any small sensor camera, like the Fuji X20, your shallow depth of field suffers, so to speak. This ain’t a full-frame camera. It means that an F2.8 at 35mm (equiv) probably compares to the Shallow Depth of field ‘look’ of an F4 or higher. (Please note, my completely non scientific approach to this. You can do the maths if you care)

Q) How about image sharpness? A)The images are incredibly sharp, at any aperture, the AF locks on, and this lens/sensor combo produces some very crisp, razor sharp images! Top notch!

Fuji x20 at 100 iso 7. 1mm f4.5

Fuji x20 at 100 iso 7. 1mm f4.5

Colors in PROVIA standard, jpg straight out of camera, ISO 100, 9.6 mm, f6.4, 1/110th

Colors in PROVIA standard, jpg straight out of camera, ISO 100, 9.6 mm, f6.4, 1/110th

Fuji X20 at  f4 7.1mm iso 100

Fuji X20 at f4 7.1mm iso 100

Shooting some X20

The above means of course that shooting is slightly different, as what you might expect from an full frame DSLR. If you are looking for ‘Bokehlicious’ shots, you will be disappointed. The better way of shooting the X20 is the old street photog style. F8 and be there. Focus on those image design elements. Composition, Light, Leading Lines, patterns, etc. All of the good stuff, that are challenging and so easy to neglect, when everything around the subject is thrown out of focus.

That’s why I set it on JPG and Fuji Black and White setting for most of my shots over these last few days. Love that look.

Q) How about color rendition? A) Some of the color film simulation settings seem a bit murky and dull to me – But I guess that’s to be expected ‘for that look’. The best setting for crisp and punchy renditions of colors is to me the PROVIA standard setting “Ideal for a wide range of subjects” .-) Ideal it is. Great colors.

Fuji X20 ISO 200 f2.5 11.3mm

Fuji X20 ISO 200 f2.5 11.3mm

Fuji X20 f5.6 9.4mm iso200

Fuji X20 f5.6 9.4mm iso200

Fuji X20, JPG straight out of camera, Pro-Neg-Standard-Film Simulation, ISO100, 7.1mm, f2.0, 1/320th

Is it your cup of tea? – Fuji X20, JPG straight out of camera, Pro-Neg-Standard-Film Simulation, ISO 100, 7.1mm, f2.0, 1/320th

What’s not so great about the X20?

- Viewfinder: Well, I had higher hopes for the X20 viewfinder to be a bit better, brighter, sharper, larger. It’s a tiny hole and quite a pain to use really, but if you’re like me and need to look through that hole, it can be tricky. Not sure how long it’ll take to get used to that or until I switch to shooting just via screen. (Which I am starting to do, it seems) It would be great to have some adapter that increase the ergonomic fit and function of the viewfinder.

- Battery: The X20 battery actually sucks – they run out of charge in no time! Exclamation mark. It doesn’t get you very far at all. 2-3hrs I’d say. Maybe less. I am surprised by this. Fuji has got some work to do here. (Free new batteries for early adopters perhaps?)

- Video: I played around with video, the X20 shoots full 1080p HD at 60 frames (at least you can downsample that to 24fps .-) – sounds good, but focusing is buggy and the X20 looses the subject quickly, especially in not so bright light, like ambient indoors. My Guess: It’s not a videographer’s choice.

Fuji X20 f4 9.6mm ISO 200

Fuji X20 f4 9.6mm ISO 200

Fuji X20 f8 7.1mm ISO 200

Fuji X20 f8 7.1mm ISO 200

Fuji X20 f8 7.1mm ISO 200

Fuji X20 f8 7.1mm ISO 200

Some bugs, I found so far

- ON/OFF Problem: Weirdly, the on/off turning switch doesn’t always work. In some circumstance, it might be set to ON, but remains switched OFF. And if you leave it on (when it’s running) and the auto switch off kicks in, it doesn’t always seem to respond to turning it OFF and ON again. Go figure. Doing it a few times seems to sort it out though. Still not what you would expect, and hopefully fixable with a firmware upgrade.

- Manual Focus Point Selection: The other bug I seem to have is when trying to select the focus point manually. When set to AFS-S and AREA is selected as AF Mode, I should be able to manually choose a focus point with the selector command dial. This doesn’t seem to work reliably for me (maybe its just me). But, a bit of disappointment, since that’s the way I shoot my DSLRs.

ISO 200 f4 5mm Fuji X20

ISO 200 f4 5mm Fuji X20

Fuji X20 8.6mm f2.5 ISO 200

Fuji X20 8.6mm f2.5 ISO 200

Well, here you have my first thoughts and impressions.
Can’t wait to hit the streets a bit more. Overall good work Fuji! Nice lil’ cam overall.
Would be interesting to compare against the X100s.

Now, what’s your experience with the X20? Or are you planning to get an X20 or X100s? Have you had some of these or other bugs? Let us know your thoughts below.

One Just World – Eradicating Poverty

One Just World is a national series of free, after-work speakers’ forums aimed at involving the community in conversation and debate on key international development issues facing Australia, the Asia-Pacific and beyond.

In the year 2000, 189 nations commenced the new millennium with a promise to free people from extreme poverty. They would do this by addressing eight key issues understood to perpetuate it. This pledge became the Millennium Development Goals (MDGs), which encompass poverty and hunger, education, gender equality and women’s empowerment, health, environment and global partnership.

The goals set a deadline for 2015 and whilst the success of some MDG’s is undeniable, we are far from achieving the majority. Now, with the end date fast approaching, the international community is considering whether to renew the current goals or set new ones. And with so many people around the world still struggling to feed their families and to access the basic necessities of life required for survival, this issue is an urgent one.

I covered the event for AusAID and CBM/End the Cycle.

#1JW with World Vision, CARE Australia, UNICEF, AusAID, IWDA and with End the Cycle

The Many Lives of William ‘Bill’ Klein – Weekend Inspiration #20

William Klein has lived many lives. One of the world’s most influential photographers, he pioneered the art of street photography and created some of the most iconic fashion images of the 20th century. He also made over twenty films, including the first ever documentary about Muhammad Ali and a brilliant satire of the fashion world, Who Are You Polly Magoo?

With a major Tate Modern exhibition celebrating his work, imagine spends time with William Klein to discover the irrepressible, charismatic personality behind a remarkable creative life.

Dash EP Launch

Dash The Band - Album Cover

Dash the Band Launched their new and first EP and asked me to cover the event. Here is a selection from this gig:

Check out their EP “and then there were none”, too.

Fuji X100s and Fuji X20 real life review

I’ve been looking for some real life reviews of the X100s and the X20s. With the camera just now slowly coming off the production lines, there are not that many accounts about how these two camera actually! work. Most “reviews” are just boring repetitions of facts and specs. You might as well read the press release!

Fuji X20, image via Steve Huff Photo

So finally here is a working man’s thoughts on both the X100s and the X20 as well as the XE-1 and X-Pro series. Jim Marks, is a London based photographer who (according to himself) has worked with DSLRs, Phase Ones and Hasselblads in his Fashion work, but now apparently has shifted entirely! to the X-Series.

He’s shooting two X-pro bodies and an XE-1 as his main work bodies. It’s the weight considerations that won him over as well as the discreet design and size of the cameras. He says that the image quality is outstanding and does the job really well.

Well, he didn’t just drop his DSLRs and move over to Fuji, but worked with them side for side for a while till he trusted they were up to the task. (This is all X-Pro talk btw)

The second video talks more about X20 and how he uses it for personal use as well as the X100s and comparing he X series to Leica’s M9.

As a side note, Jim shortly talks about the Leica M9 in comparison. It’s the first time I’ve heard anyone say what I’ve always suspected about the Leica system (not to be a Leica Troll but one can’t deny the fact that is a quite an overpriced system that still is manual focus only):

I’ve joked (about the X-Pro1) about it being a Leica that works. I had a Leica M9, I loved the built quality, its a fabulous thing to hold, but as a professional photographer you can’t photograph people quickly/constantly. It just doesn’t do it. Its for shot . then wait . then shot … and that’s fine. But in a professional environment where you’ve got to take picture, it locked up on me so much that actually I sold it. The X-Pro fills that void.”

The Road 2013

The Road. A conference as an invitation to do something that seems illogical, to walk away from the crowd and into a storm,to pull your collar up and press headlong into the swirling thunder, to surrender to the assault of the wind, to open your arms, greet the hail and embrace the lightning. An invitation to walk on deeper into the darkness, leaving behind friends, the familiar, and the fairytale, to meet Him who comes in the storm, the One who cannot be shaped in your image, who does not exist to deliver your dreams and your destiny.

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