Ethical Lying and Journalism

Thinking about the paradox of Ethical Lying, one might start under the impression that ethical lying is only possible from an Utilitarian point of view. Afterall, a moral outcome creating the most amount of pleasure for the largest group of people, would justify an act of lying – or so it seems. However, dealing with Kantʼs Deontology and his Categorical Imperative (CI) in particular, one needs to establish if an action is morally right, by taking an individual action as a general principle (Individual Maxim, MI) and making it a universal principle (Universal Maxim, MU). If the MI can be made an MU, without contradicting other general universal principles and being unethical, then the action is moral and right.

In Kantʼs view however, lying clearly is wrong and telling the truth is a universal maxim (Al-Fedaghi, S 2005). From this point of view it seems highly improbable to find argumentation that would allow for ethical lying, which can be validated with the CI. Perhaps, it is also a matter of defining what exactly one means when speaking about a lie. In other words: What is a lie?

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Weekend Inspiration #8 – Chimping, Ziyah Gafic, Women of Saudi Arabia

Photojournalism, the profession of photographers on assignment for major news outlets, as staff for the media or as freelancers working on long projects, is a profession that – according to many – is a dying art.

With the increased affordability for good quality cameras, instant accessibility via the web and media houses pushing costs down, the rise of citizen journalism is often regarded as the biggest threat to professional photojournalism.

This slightly sobering video shows some of these new realities, but thankfully also highlights – albeit subtle – why there might still be hope for the industry and new professionals in the field. “Chimping” from D Perez via Vimeo.

An example of hope for documentary photographers then is Ziyah Gafic and his work aiming to show and perhaps shift western perception of the Muslim world. He travel to Saudi Arabia where he’s working on a series about the reality of life Saudi women. Fascinating work – and interesting to see him use analogue film cameras vs the digital speed demons talked about in the first video.

Neglecting or Protecting Sources and Informants

“The exposure of illegal and criminal activities by governments or their agencies” (Bryan, 2005) is what is generally regarded as whistle-blowing. And it has recently been in the spot-light all around the world with Wikileaks’ 75,000 document strong Afghan-War protocols.

As Oakes (2005) suggests “Democracy cannot work if journalists only report what governments want them to report. It is the threat of leaks that keep government (relatively) honest. A society where government has tight control of the flow of information is not a democratic society. Leaks and whistle-blowers are essential to a proper democratic system”. Which is the reason why investigative journalism generally prides itself on being an agent for this “keeping honest” of governments – and rightly so.

However, when it comes to leaks, ethical questions relating to the protecting of sources must be raised. Wikileak’s official line is roughly that they aim to protecting the informant’s identity as much as possible, and they seem to have done pretty well in the past. And most journalists would agree to this modi operandi.

And the principle seems to be pretty well adhered to when it comes to western sources and informants. Yes, everyone agrees, the objectives of investigative journalism must not be achieved without protecting the anonymity of the sources, especially if the sources are likely to face harsh consequences of their disclosure of information.

However, it seems that it is becoming standard practice to not fully protect sources from the “Other” side. The “Other” as in Afghan, Iraqi or Indonesian informants.

It is because of this apparent neglect for the safety of Afghan sources that “human rights groups are urging WikiLeaks founder Julian Assange to remove the names of Afghans helping US forces from thousands of leaked military documents, fearing they could be the target for reprisals” (Karim Talbi, AFP, August 11)

But it’s not only Wikileaks, of course. Mainstream media are doing it too. Sarah Ferguson in her reportage “Smuggler’s Paradise” (Four Corners, August 2010) is a recent example. ABC doesn’t seem to have any second thoughts about airing a program complete with footage showing full faces, names, documentation of the Iraqi asylum-seeker informant and his family. What happened to protecting the informant here? Where are the blurred faces and disguised voices, withheld names – standard tools frequently used for any western-informant? Is the life, safety and anonymity of an Afghan, Iraqi or Indonesian informant less worth protecting?

In “Smuggler’s Paradise, ABC quite openly equips the informant with hidden pen cameras, sending him into prison and government buildings, putting his safety and life at risk – all captured and broadcast – to make a more compelling story. Is this really “Investigative Journalism at its very best? Clearly Mainstream Media and Whistle-blowers alike need to live up to their moral values and review their practice in regards to protecting all sources and informants irrespective of where they are whistling from.

Ethiopian Celebration as Bekele wins 5000m Gold

It was a great spontaneous Ethiopian “Fanfest”. Drivers of trucks, busses and private vehicles, joined pedestrians and local residents in cheering on their national hero. Traffic came to a complete standstill when hundreds of people gathered at Meskel Square in the centre of Addis Ababa to watch the 5000m race of Kenenisa Bekele. The cheering, dancing and clapping increased as Bekele crossed the finishing line, winning the fourth Gold Medal for the East African nation at the Beijing Olympics 2008.

http://www.fiftyeight.net/addis.mov

Mohamed Amin

Studying Photojournalism, you can not avoid the great and glorious such as the late Robert Capa, James Nachtwey or Timothy Allan. One Person however, that one could possibly overlook is the late photojournalist Mohamed Amin.

Amin, a Kenyan photojournalist was born in 1942 and first noted for his pictures and videotapes of the Ethopian Famine in 1984. Mohamed ‘Mo’ Amin first started on his photography path when he first purchased his first camera at the age of 11 years – a Kodak Box Brownie.

At the age of 19 he went professional, after ditching school, and started his first business as a professional photographer in the 1960′s in Dar Es Salaam

Amin, also contributed exclusive photos of the fall of Idi Amin and of Mengistu Haile Mariam, and covered various themes like East African Wildlife and the Uganda Railway. He photographed and documented the move to independence if Kenya and Tanzania and photographed the likes of Kenyatta and Nyerere.

I still remember with shock the TV screens on November 23rd 1996. It was on this day that Mohamed Amin boarded Ethiopian Airlines Flight 961, to travel to Nairobi after a business trip to Ethiopia. History tells us that hijackers stormed the cockpit of ET-AIZ, the Ethiopian Airlines Boeing B767-260ER, and forced the pilot, Leul Abate, to fly east over the Indian Ocean. ET-AIZ ran out of fuel and Abate ditched the aircraft off the coast of the Comoros Islands.

Amin died at age 53 as his body hit the airplane wall, causing his death.

[youtube=http://www.youtube.com/watch?v=652RtYwU-XM&hl=en&fs=1]

In June 2006, Mo and Me (see Links below), a documentary film about Amin was premiered. It won Best International Documentary at the Los Angeles International Film Festival. Al Jazeera media company and Camerapix funded the film.

Mo Amin is the inspiration for the A24 news channel, a proposed independent pan-African 24-hour ‘African voice for Africa’ which aims to start broadcasting from Nairobi in 2008. His Son Salim Amin stepped into the journalistic shoes of his father continuing Mo’s legacy.

Mo & Me Series

(sourced from Wikipedia)

News Photography “authentified”

It’s quite funny what I came across today, but really not surprising at all. A Reuters Journalist /Photographer appearantly took some pics of some raids in lebanon the other day (the war thingy you remember?), and because they weren’t dramatic enough he decided to brush’em up a bit… Well nothing comes as a surprise. Maybe I should offer my services as a freelance News-Photo-Authentifier or so … (kidding.ha.)…. Read the whole story here. As I said quite stupid, and yet what should one expect in this world … (Hier gibts die Story in deutsch)

And of course this guy wasn’t the first or only one to use such measures to enhance his income and “journalistic” talents: Über die Hintergründe von Bildfälschungen im Journalismus.

And anyways – just simply uninhibited – if you wanna do retouch then please do it right: Like Glenn Honiball for example. Check out his product retouches: toaster, cars, or coffee & cake etc. Quite impressive.

And what have we learned once again? Things ain’t what they seem to be, and now please everybody start to think when looking at ANY advertisement – be it for war or for coffee. For further brain input regarding that topic, may I suggest www.adbusters.org – (Sorry Glenn really impressed with the work, not the effects.)

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